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Ableton Live Suite 10.1.15

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Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features—everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

What’s New:

What’s New in Ableton Live Suite 10:
Create with new devices
Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colorful new sounds are possible with Live’s instruments and effects.

Stay in the flow
You’ll find improvements to Live that help you stay in the flow at every stage of your creative process, whether you’re getting ideas down, organizing your setup or editing the details of your music.

Do even more from Push
Live 10 brings new functionality and new high-res visualizations to Push. Now you’ll spend even less time with the computer—whether you’re composing ideas, editing MIDI or shaping and mixing sounds.

New library of sound
With new collections of Packs, Live 10 has more sounds that are ready for finished music, right out of the box. They’re set up for tweaking to your needs or taking in different directions. Plus the library has been reorganized to make it easier to find what you’re looking for.

Max for Live – no limits, built in
Max technology is now fully integrated into Live 10 Suite. No additional download or set up is required to create with and customize Max For Live devices. They just work. Plus new devices and capabilities bring more possibilities for musicians and device developers.

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Ableton Live Suite 10 Crack Full VersionAbleton Live Suite is the most complete digital audio workstation (DAW) software designed for use in live performance as well as for production Which You Can Download From MasterKReatif.NET. Ableton Live 11 Full Version is designed as a tool for composing, recording, arranging, mixing and mastering music. It is widely used by DJ’s around the world to produce music of the highest quality because it is supported with excellent features as well.

Ableton Live 64-bit is software for creating musical ideas, turning them into finished songs, and even taking them onto the stage. With two views – the classic Arrangement View, where musical ideas are laid out along a timeline, and the unique Session View, where you can improvise and quickly experiment with musical ideas – Ableton Live 64-bit is a fast, fun, intuitive way to make music. Ableton Live comes in three editions: Intro, Standard, and Suite. The editions share common features, but Standard and Suite have additional features, Instruments, Packs, and Effects. A software music sequencer and digital audio workstation for Windows!

The program allows you to create, produce, and perform musical ideas. Freely and independently start and stop any number of audio or MIDI loops in real-time, all without interrupting your creative flow. It has unique features to produce and perform musical ideas, a sketchpad for improvising, independently start and stop any number of audio or MIDI loops. Hearing his name we are familiar, Ableton Live License Key is a powerful software that can be used to create and cultivate music.

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Ableton Live

Digital audio workstation

Ableton Live is a digital audio workstation for macOS and Windows developed by Berlin-based Ableton. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available in three editions: Intro (with limited key features), Standard, and Suite.[3]

History[edit]

Ableton co-founders Gerhard Behles, Robert Henke, and Bernd Roggendorf developed Live from homemade software that Behles and Henke had created to facilitate their live music performances as Monolake. They released the first version of Live in 2001 as commercial software.[4][5] Ableton Live is written in C++. Live itself was not prototyped in Max, although most of the audio devices were.[6]

Features[edit]

Views[edit]

Live's user interface is composed of two 'Views' – the Arrangement View and the Session View. Live utilizes audio sample or MIDI sequences, referred to as Clips, which are arranged to be played live (i.e. triggered) or played back in a pre-arranged order. MIDI triggers notes on Live's built in instruments, as well as third party VST instruments or external hardware.

The Session View offers a grid-based representation of all of the Clips in a Live Set. These clips can be arranged into scenes which can then be triggered as a unit. For instance a drum, bass and guitar track might comprise a single scene. When moving on to the next scene, which may feature a synth bassline, the artist will trigger the scene, activating the clips for that scene.

The Arrangement View offers a horizontal music production timeline of Clips that is more similar to a traditional software sequencer interface. The Arrangement View is used for recording tracks from the session view and further manipulating their arrangement and effects. It is also used for manual MIDI sequencing.[7]

Instruments[edit]

The Intro version of Live includes four instruments (Impulse, Simpler, Instrument Rack, and Drum Rack) and the Standard version of Live additionally includes External Instrument, with users having the option to purchase additional instruments. By contrast, Live Suite includes all available instruments.

  • Impulse - a traditional drum triggering instrument which allows the user to define a kit of up to eight drum sounds, each based on a single sample. There are a number of effects available such as basic equalization, attack, decay, pitch shift, etc. Once the kit is defined, rhythms and beats are created through Live's MIDI sequencer.
  • Simpler - a basic sampling instrument. It functions using a single audio sample, applying simple effects, and envelopes, finally applying pitch transformations in the form of Granular synthesis. In this case, incoming MIDI does not trigger drums as it does in Impulse, but selects the final pitch of the sample, with C3 playing the sample at its original pitch.
  • Drum Rack - a sampler for drums. MIDI notes trigger individual "Simplers" so rather than triggering one sample at multiple pitches, individual samples are triggered at predefined pitches, as is suitable for MIDI drum programming. As is usual with Ableton almost anything can be drag dropped to or from the drum racks; for example, one can drop an audio clip or any MIDI device onto a drum rack note.
  • Instrument Rack - allows the user to combine multiple instruments and effects into a single device, allowing for split and layered sounds with customized macro controls.
  • Analog - simulates an analog synthesizer.
  • Bass - a monophonic virtual analog bass synthesizer.
  • Collision - a mallet percussionphysical modelling synthesizer.
  • Drum Synths - 8 devices for creating drum and percussion sounds via synthesis.
  • Electric - an electric piano instrument.
  • Operator - an FM synthesizer.
  • Poli - a virtual analog synthesizer that combines subtractive and FM synthesis
  • Sampler - an enhanced sampler.
  • Tension - a string physical modelling synthesizer.
  • Wavetable - a wavetable synthesizer featuring two oscillators and re-mappable modulation sources.

Ableton also has available a massive selection of Add-on Sample Packs with which a user can expand the sound libraries for their instruments.

  • Session Drums - a collection of sampled drum kits.
  • Latin Percussion - a collection of sampled latin percussion hits and loops.
  • Essential Instruments Collection - a large collection of acoustic and electric instrument samples.
  • Orchestral Instrument Collection - a collection of four different orchestral libraries, which can be purchased individually or as a bundle: Orchestral Strings, Orchestral Brass, Orchestral Woodwinds and Orchestral Percussion. The Orchestral Instrument Collection is included upon purchase of Live Suite but must be downloaded separately.

[8]

Dedicated hardware instruments[edit]

Akai Professional makes the APC40 mk II, a MIDI controller designed to work solely with Ableton Live. A smaller version, the APC20, was released in 2010. Though there are many MIDI controllers compatible with Live, these Akai units try to closely map the actual Ableton Live layout onto physical space. Novation Digital Music Systems has created the "Launchpad" which is a pad device that has been designed for use with Ableton. There are currently four different Launchpad models: Launchpad Mini, Launchpad X, Launchpad Pro, and Launchpad Control. Ableton has also released their own MIDI controller, the Push, which is the first pad-based controller that embraces scales and melody.[9] In November 2015, Ableton released an updated MIDI controller, the Push 2, along with Live 9.5.[10] Push 2, in terms of its design, features a new colorful display, improved buttons and pads, and a lighter frame.[11]

Effects[edit]

Most of Live's effects are already common effects in the digital signal processing world which have been adapted to fit Live's interface. They are tailored to suit Live's target audience – electronic musicians and DJs - but may also be used for other recording tasks such as processing a guitar rig. The effects featured in Ableton Live are grouped into two categories - MIDI effects and audio effects.

Live is also able to host VST plugins and, on the macOS version, Audio Unitplug-ins as well as Max for Live devices since Live 9.

Working with audio clips[edit]

Sashaplaying a DJ set using Ableton Live running on an iMac G5.

In addition to the instruments mentioned above, Live can work with samples. Live attempts to do beat analysis of the samples to find their meter, number of bars and the number of beats per minute. This makes it possible for Live to shift these samples to fit into loops that are tied into the piece's global tempo.

Additionally, Live's Time Warp feature can be used to either correct or adjust beat positions in the sample. By setting warp markers to a specific point in the sample, arbitrary points in the sample can be pegged to positions in the measure. For instance a drum beat that fell 250 ms after the midpoint in measure may be adjusted so that it will be played back precisely at the midpoint.

Some artists and online stores, such as The Covert Operators and Puremagnetik, now make available sample packs that are pre-adjusted, with tempo information and warp markers added. The audio files are accompanied with an "analysis file" in Live's native format (.asd files).[12][13]

Ableton Live also supports Audio To MIDI, which converts audio samples into a sequence of MIDI notes using three different conversion methods including conversion to Melody, Harmony, or Rhythm. Once finished, Live will create a new MIDI track containing the fresh MIDI notes along with an instrument to play back the notes. Audio to midi conversion is not always 100% accurate and may require the artist or producer to manually adjust some notes.[14] See Fourier transform.

Envelopes[edit]

Almost all of the parameters in Live can be automated by envelopes which may be drawn either on clips, in which case they will be used in every performance of that clip, or on the entire arrangement. The most obvious examples are volume and track panning, but envelopes are also used in Live to control parameters of audio devices such as the root note of a resonator or a filter's cutoff frequency. Clip envelopes may also be mapped to MIDI controls, which can also control parameters in real-time using sliders, faders and such. Using the global transport record function will also record changes made to these parameters, creating an envelope for them.

User interface[edit]

Much of Live's interface comes from being designed for use in live performance, as well as for production.[15] There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).

Live now supports latency compensation for plug-in and mixer automation.

See also[edit]

References[edit]

  1. ^"Live 11 Release Notes". Retrieved 16 August 2021.
  2. ^"Ableton Live End Use License Agreement". Archived from the original on August 19, 2014. Retrieved August 18, 2014.
  3. ^"Live comes in three editions: Intro, Standard and Suite. They share common features, but Standard and Suite have additional features, instruments, effects, and Packs". Ableton. Retrieved 23 February 2021.
  4. ^Battino, David; Richards, Kelli (2005). The Art of Digital Music. San Francisco, CA: Backbeat Books. p. 3. ISBN .
  5. ^Slater, Maya-Roisin. "The Untold Story of Ableton Live—the Program That Transformed Electronic Music Performance Forever". Vice.com. Vice Media LLC. Retrieved 8 August 2019.
  6. ^"Prototyping explained by Live co-creator Robert Henke". Archived from the original on 2011-07-07. Retrieved 2010-11-18.
  7. ^"A brief history of Ableton Live". Future Music. Future Music Publishing Quay House. Retrieved 13 August 2019.
  8. ^"Live 10 comes in three editions: Intro, Standard and Suite. They share common features, but Standard and Suite have additional features, instruments, effects, and Packs". Ableton.com. Retrieved 18 May 2020.
  9. ^"Using Push — Ableton Reference Manual Version 10 - Ableton". www.ableton.com. Archived from the original on 2014-11-10.
  10. ^"Archived copy". Archived from the original on 2017-10-23. Retrieved 2017-06-27.CS1 maint: archived copy as title (link) Resident Advisor News: Ableton unveils Push 2 and Live 9.5
  11. ^"Create music with Ableton Push
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    New features and improvements
    Bugfixes
    Changes for Push
    Push Bugfixes

    New features and improvements

    Arrangement Editing
    Automation
    Control Surfaces
    Interface Improvements
    Max for Live improvements
    MIDI editor
    New Devices and Device Improvements
    Setup
    Wavetable

    Arrangement Editing

    • When copying a time selection inside an automation lane, this can now be pasted upon the content lane. The copied automation will always land in the correct lane.

    Automation

    • When nudging a time selection in an automation lane, the automation outside the selection remains unchanged.
    • Enabled vertical auto-scrolling when dragging an automation lane.
    • Reintroduced the toggle button for showing/hiding additional automation lanes.
    • Additional automation lanes are now unfolded by default.
    • Improved the horizontal movement of a range of automation segments. Ramps are no longer created when a time selected range of automation is moved (by nudging or dragging) horizontally and is still partially within the original time range.
    • Fades no longer snap to the Arrangement View grid.

    Control Surfaces

    • Added support for IK Multimedia iRig Keys I/O.
    • When connected, the Novation Launchpad S and Launchpad Mini control surfaces are now automatically selected in the Preferences.

    Interface Improvements

    • Improved Live's perfomance when resizing audio clips in the Arrangement.
    • Added a gap between the handle and the track of the scrollbar in the Arrangement and Session View.
    • Sharpened the appearance of the triangle that appears above bipolar knobs.
    • Adjusted spacing between devices and meters in device chains.
    • Adjusted the color of the Arrangement Overview frame to increase visibility in dark Themes.
    • Changed the color of Drum Rack label to increase visibility in the Dark Theme.
    • Adjusted the spacing below Session View's horizontal scrollbar so that it is centered.
    • Adjusted the selection frame in device groups and corrected inconsistencies in the look and behaviour of the Sampler device.
    • A track created by dropping a single clip into the Session or Arrangement View's Drop Area now inherits the clip color instead of the source track color. When dropping several clips at the same time, the new track still inherits the source track color, as before.
    • Improved the playhead smoothness on Windows.

    Max for Live improvements

    • Max 7 license owners can edit gen~ patchers in Live 10's Max for Live editor.
    • Fixed permissions issues on macOS for non-Admin accounts.
    • Updated documentation for the Live Object Model.
    • Improved UI repainting and Live queue processing with many Max for Live devices.
    • Multi-core rendering in Live is now supported if a Set contains Max for Live devices.

    MIDI editor

    • MIDI note chasing now works when:  
      • scrubbing in the Arrangement View.
      • restarting transport using "Shift" + "Space" in the Arrangement View.
      • scrubbing in the Detail View of an Arrangement clip.
      • scrubbing in the Detail View of a Session clip.
    • Previously, there was a possibility that all MIDI notes in a key could disappear when stretched to an extremely small size (e.g., when using the ":2" button). This has now changed, and further stretching is not possible once notes reach a very small size.

    New Devices and Device Improvements

    • Filter curve visualisations in Wavetable are updated in real time in cases where e.g. an LFO or Envelope is mapped to the filter cutoff frequency.

    Setup

    • On Windows, Live now cleanly shuts down when a user logs out, shuts the computer down or reboots it. It also displays a message explaining why it is preventing the computer shutting down, giving the user 30 seconds to abort shutting down and save the Set.
    • Updated various info texts.
    • Added translations for the following lessons: "A Tour of Live", "Recording Audio", "Creating Beats", "Playing Software Instruments" and "Max for Live Devices".
    • When re-opening Live, the state of the Computer MIDI Keyboard on/off toggle is now remembered.

    Wavetable

    • In Wavetable's Mod Matrix, the left column containing target names now features bars that indicate the unmodulated and modulated value of the respective parameter. Additive modulation is indicated by a bipolar bar starting from the unmodulated value, while multiplicative modulation is indicated by a unipolar bar starting from the left.
    • When Live's transport is started or if there is a jump in beat time, Echo and Wavetable LFOs now update their phase if they are beat-synced.

    Bugfixes:

    Arrangement Editing
    Automation
    Browser
    Control Surfaces
    File Handling
    Interface Improvements
    Max for Live bugfixes
    MIDI editor
    Multi MIDI Clip editing
    Navigation
    Nested Groups
    Devices
    Setup
    Wavetable

    Arrangement Editing

    • Previously, when freezing a track, the hatched pattern that indicates frozen tails would also erroneously appear in the track's clip headers.
    • Previously, start and end markers for unwarped audio clips were erroneously quantized to the grid.
    • Creating a warp marker could trigger scrolling of the selected clip under certain circumstances.
    • Previously it was not possible to adjust the loop start position in unwarped audio clips without quantization.
    • A crash would occur when editing the crossfade between two very short clips.
    • Fixed a crash when removing a device that showed a parameter in an additional automation lane while the mouse is hovering over the parameter's automation.
    • The "Select Track Content" context menu command would not work on multiple selected tracks.

    Automation

    • Previously, when copying an Arrangement clip with existing automation to another track, automation would not be copied even if the target track and source track contained identical devices. Also, if a track is created by dragging a clip into the Arrangement drop area, all automation is now copied over and set to the the correct time.
    • Copying and pasting automation might lead to unexpected results, if the copied selection extended across multiple tracks.
    • The Show/Hide Additional Automation Lanes button is now always visible when unfolding a track that has been folded by resizing.
    • When pressing the Option (Alt) key and clicking on a track's Unfold Track button, the position of that track does not change.
    • MIDI Ctrl or Mixer modulation envelopes would be lost when dragging a clip from Arrangement to Session View.
    • Live could crash on Windows when clicking on a breakpoint while holding the grid modifier.
    • Positioning fade handles with arrow keys was not working correctly.

    Browser

    • AU plug-in default presets (.aupreset files) were no longer shown in the Live 10 browser.
    • Files from the "Current Project" label might fail to appear in the browser under certain circumstances.
    • File types unsupported in certain editions and when run as a ReWire slave (e.g., .amxd and .aupresets) erroneously appeared in Live's browser.
    • .M4A audio files would not show up in Live's browser anymore.

    Control Surfaces

    • Added bank definitions to Wavetable for third-party control surfaces.

    File Handling

    • Previously it was not possible to delete files or directories with names containing slashes.
    • Previously, toggling Automation Mode would create an Undo step.
    • Fixed a crash that occurred if a Live Set contained "{}" characters in its name.
    • Plug-ins and Sets that are saved in directory junctions on Windows work again.
    • Live would crash when launching the program by double-clicking a Live Set, in cases where the Live Set was corrupted.
    • Fixed a problem which might prevent AU presets from recalling correctly.

    Interface Improvements

    • Improved CPU usage by reducing the amount of graphic updates for the Detail View.
    • Live's window contents no longer briefly flicker after changes to a hardware display setup.
    • Depending on the language used in Live, the progress of the crash recovery wasn't visible on the splash screen because the text was clipped.
    • Improved the drag and drop handling on HiDPI screens. Previously, dragging a file from Explorer into Live would show the file at the wrong position in Live (Windows only).
    • Fixed a bug which caused text to overflow on top of the frame containing the browser's search field.
    • Fixed a bug which caused clips to be incorrectly colored when readded to a Live Set, if an .asd file was previously created.
    • On Windows 10 with HiDPI displays, dragging and dropping within Live, into Live, and within scaled plug-ins now works as expected. Please note that dragging and dropping from Live to other programs or to HiDPI-aware plug-ins may still cause issues when HiDPI Mode is active.
    • Fixed a bug where sequences of visually short borderless notes would be nearly invisible if crowded into overlapping pixel areas.
    • Fixed a minor visual issue affecting corners in grouped devices.
    • Fixed a minor inconsistency in the height of notes in Arrangement clips and clip previews.
    • Upon loading a Live Set, the clip envelope parameter selection would not be restored in the Detail View.
    • When double-clicking and dragging a slider control, the mouse cursor would not be hidden as expected, if Pen Tablet Mode was disabled.
    • Meters in Live's mixer would appear as stuck when loading a Set.
    • Improved UI performance on Windows when resizing Arrangement clips.
    • Fixed a bug which incorrectly applied bold formatting to chunks of text in the Help View.
    • If HiDPI was enabled on a Windows 10 machine, the preview of a dragged object (either dragged within Live or into Live) would appear offset.
    • If multiple audio clips were selected, changing a selection in the Detail View would create a wrong time selection in the Arrangement.
    • Removed inconsistent extra spacing from the context menu entry "Add Lane for Each Automated Envelope" in automation lane headers.
    • Previously, some radio buttons in certain devices displayed unreadable text.
    • On Windows with a HiDPI screen and HiDPI Mode enabled, it is once again possible to drag a file from Live into Explorer.
    • On Windows, dropping files from Addictive Drums 2 into Live works again.
    • When renaming Arrangement clips, the wrong mouse cursor would be displayed, making it difficult to insert the cursor at the desired position.
    • The grayed out text  "Open Groove Pool..." in a clip's Groove Pool dropdown menu is now more visible in the Dark theme.
    • On Windows, if a plug-in showed a modal dialog, the main window could not be closed while that dialog was being shown.
    • When running Windows on a computer with a 4K screen and HiDPI Mode enabled, Live's UI would temporarily stop updating if the mouse hovered over an instance of the Spectrum device's breakout view.
    • On Windows 10 (version 1803) with HiDPI enabled, drag and drop now works as expected between Live, plug-ins and Max and the Explorer.
    • Horizontal sliders are now black instead of white in the Dark Theme (this is particularly noticeable for plug-in device parameters in the Detail View).

    Max for Live

    • Added the following changes to Max for Live:
      • File copying is now faster (this affects building standalones and Max For Live devices).
      • Restored Hints functionality.
      • live.gain~: height no longer changes when changing font.
      • Live could crash when deleting a Max for Live device which had a fullscreen window.
      • Live's main window can no longer obscure all other windows when using Max for Live devices.
      • Previously, Live might fail to access MIDI ports if the Max editor was open in the background at program launch.
      • The Max patcher window is now correctly sized on Windows.
      • Text in message boxes would sometimes appear cut off.
      • Various nodesnames attribute improvements.
      • Fixed issues with adding new objects to presentation mode.
      • poly~: fixed a crash which might occur when muting messages in nested poly~ patchers.
      • Seq object now properly records MIDI.
      • umenu and live.menu would block the Max scheduler while the drop-down list was displayed.
      • Firewall permissions dialog is appropriately suppressed in the Max for Live editor.
      • HiDPI: improved drawing when changing Windows display settings.
      • JS: sketch methods are no longer called on non-UI js objects in js_calljsfun().
      • Max Authorization Window: improved wording and user options.
      • mgraphics: deletion of temp file is now ensured when reading an .svg from a Max for Live device.
    • Performing an Undo after Macro-mapping a Max parameter would leave that parameter unmapped and unusable.
    • Live would crash when dragging a Live device on top of a Max for Live device.
    • Mapping Device Rack Macros to a live.remote would break under certain conditions after reloading the Set.

    MIDI editor

    • When folding an empty MIDI clip in a Drum Rack that contained at least one chain receiving all notes, the clip would fold to that chain only, whereas now the clip will not fold at all. Also, when switching between audio clips while a warp marker was selected, the Seg. BPM box would erroneously show the tempo of the previously selected marker. This would also lead to jumps in the displayed waveform visualization when the tempo was adjusted.
    • The Note Ruler in the MIDI Editor can now be double-clicked to vertically zoom to all used key tracks. In a multi-clip editing scenario, notes of all clips are taken into account, whereas previously only the notes of the foreground clip were considered. Additionally, fixed a bug which prevented the vertical zoom state from initializing correctly under certain circumstances.
    • Fixed a few minor bugs in the MIDI Editor:
      • when selecting one out of many selected notes, the selection would not revert to the selected note
      • when opening the context menu while hovering over a background note, and then clicking outside of the context menu, the background note would remain in a hovered state
      • when hovering over a background note, it was possible to highlight a momentarily invisible foreground note

    Multi Clip Editing

    • Previously, the adaptive grid size of a newly created clip could sometimes be incorrectly calculated when multi-clip editing.

    Navigation

    • Tracks in the Arrangement View would scroll out of view completely when toggling Automation Mode if the highlighted track was not visible.
    • When resizing an Arrangement track, only tracks whose header is selected will be resized. Previously, a track might be erroneously resized if a content selection existed on that track.
    • When scrolling up and down in the Arrangement View using a mousewheel, the view would only move in very small increments.
    • Previously, when extracting a Drum Rack chain to a new track, the zoom level and time selection were erroneously applied to the newly created clip.
    • When undoing the deletion of a note while in Arrangement View, the Clip View zoom level unexpectedly zoomed in to that note.
    • Previously, scrolling the Arrangement's mixer section with a mousewheel was not possible.
    • Previously, the time selection status display would not get updated when selecting a clip in the Arrangement.
    • The grid modifier would not toggle the grid when changing the time selection or moving the insert marker with the arrow keys.
    • Dragging a device over a Session return track header that overlapped a group device chain header would cause erratic scrolling in Session View.
    • On macOS, grid snapping would erroneously toggle when setting the Arrangement loop start/stop marker position by clicking inside the Arrangement View scrub area while holding the [CMD] modifier.

    Nested Groups

    • Fixed a crash that occurred when duplicating a nested Group Track containing a plug-in with an active modal dialog while Live's second window was open.

    New Devices and Device Improvements

    • The Arpeggiator device could lead to crashes under certain circumstances.
    • AU plug-in parameters might behave erratically when being controlled with the mouse, under certain circumstances.
    • It was erroneously possible to tweak parameters in the expanded view of certain devices, even if the track was frozen.
    • Under certain circumstances, some Wavetable and Echo parameters would not respond smoothly.
    • Simpler's settings would not be recalled correctly, if the device was set to Slice by Beat and its playback was not warped.
    • Echo's timing would change when exporting audio at a different sample rate than the one currently in use.
    • Under certain circumstances, Wavetable's polyphonic voice stealing would cause certain notes to get stuck.
    • A crash might occur when trying to preview a Live Clip in Live's browser, if this referenced a Wavetable device.
    • The switches on the left side of the Glue Compressor device are now centered.
    • Certain parameter names would be truncated in the left column of Wavetable's Modulation Matrix.
    • Dropping many samples onto a Simpler or a Drum Rack would take much longer in Live 10 than it did in Live 9.
    • Live could crash when loading certain Wavetable presets from the Core Library.

    Setup

    • Fixed a bug which caused a "Preferences.cfg corrupt" error when importing Preferences from 32-bit Live versions.
    • Fixed a crash which occurred on startup under certain circumstances.
    • Added info texts translations for Drum Buss, Echo, Pedal and Wavetable devices.
    • On certain Windows machines, attempting to authorize Live 10 would fail.
    • While running, Live would fail to update the availability of MIDI ports.
    • Live was not able to prevent entering Sleep mode or turning off the display on Windows.
    • Changing the MTC Start Offset in the Preferences would have no effect.

    Wavetable

    • The animated sliders beneath the modulation target names would occasionally not appear in Wavetable.
    • Improved Wavetable's impact on CPU under certain circumstances.

    Changes for Push:

    Push

    • Improved the display of Live's color palette on third-party control surfaces.
    • Updated Push 2's firmware to version 1.0.63. This version contains the updated color palette for Live 10.

    Push Device Visualization

    • Added bank definitions to Pedal, Drum Buss, and Echo for third-party control surfaces.
    • Envelope visualizations are now available for Wavetable on Push 2.
    • It is now possible to select wavetables in the Wavetable device on Push 1.

    Push bugfixes:

    Push

    • The clip color palette for Push 1 was updated to match the Live 10 color palette.
    • The Push 1 browser would not display entries correctly if Live's language was set to Japanese.
    • Improved the touch-strip latency when working with MIDI tracks in Clip Mode on Push 2.
    • Fixed parameter sensitivities for Analog and Impulse devices on Push 2.

    Push Device Visualization

    • Wavetable's filter visualization on Push 2 might be displayed incorrectly after the Control Surface script was reinitialized.
    • A device's color would not update correctly on Push 2 when moving the device to a new track.
    • Push 2's display failed to indicate that an automation existed for certain Wavetable filter parameters.
    • The On/Off icon was missing for the Pitch envelope in the Operator device on Push 2.
    • Fixed envelope slope visualizations in Wavetable on Push 2.
    • Added missing parameters and icons for Operator and Analog's parameter banks on Push 2.
    • Fixed a scenario where Push 2's display could crash when hot-swapping AU plug-in presets.

    Push MIDI Clip Mode

    • After redoing a clip recording on Push 2, the wrong zoom state would be displayed.
    • The Note Settings view would close after touching an encoder, if all notes were being edited (Push 1 and Push 2).
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Eventually necessary: Ableton 10.1.5 Archives

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Ableton Live

Digital audio workstation

Ableton Live is a digital audio workstation for macOS and Windows developed by Berlin-based Ableton. In contrast to many other software sequencers, Ableton Live is designed to be an instrument for live performances as well as a tool for composing, recording, arranging, mixing, and mastering. It is also used by DJs, as it offers a suite of controls for beatmatching, crossfading, and other different effects used by turntablists, and was one of the first music applications to automatically beatmatch songs. Live is available in three editions: Intro (with limited key features), Standard, and Suite.[3]

History[edit]

Ableton co-founders Gerhard Behles, Robert Henke, and Bernd Roggendorf developed Live from homemade software that Behles and Henke had created to facilitate their live music performances as Monolake. They released the first version of Live in 2001 as commercial software.[4][5] Ableton Live is written in C++. Live itself was not prototyped in Max, although most of the audio devices were.[6]

Features[edit]

Views[edit]

Live's user interface is composed of two 'Views' – the Arrangement View and the Session View. Live utilizes audio sample or MIDI sequences, ableton 10.1.5 Archives, referred to as Clips, which are arranged to be played live (i.e. triggered) or played back in a pre-arranged order. MIDI triggers notes on Live's built in instruments, as well as third party VST instruments or external hardware, ableton 10.1.5 Archives.

The Session View offers a grid-based representation of all of the Clips in a Live Set. These clips can be arranged into scenes which can then be triggered as a unit, ableton 10.1.5 Archives. For instance a drum, bass and guitar track might comprise a single scene. When moving on to the next scene, which may feature a synth bassline, ableton 10.1.5 Archives, the artist will trigger the scene, activating the clips for that scene.

The Arrangement View offers a horizontal music production timeline of Clips that is more similar to a traditional software sequencer interface. The Arrangement View is used for recording tracks from the session view and further manipulating their arrangement and effects. It is also used for manual MIDI sequencing.[7]

Instruments[edit]

The Intro version of Live includes four instruments (Impulse, Simpler, Instrument Ableton 10.1.5 Archives, and Drum Rack) and the Standard version of Live additionally includes External Instrument, ableton 10.1.5 Archives, with users having the option to purchase additional instruments. By contrast, Live Suite includes all available instruments, ableton 10.1.5 Archives.

  • Impulse - a traditional drum triggering instrument which allows the user to define a kit of up to eight drum sounds, each based on a single sample. There are a number of effects available such as basic equalization, attack, decay, pitch shift, etc. Once the kit is defined, rhythms and beats are created through Live's MIDI sequencer.
  • Simpler - a basic sampling instrument. It functions using a single audio sample, ableton 10.1.5 Archives, applying simple effects, and envelopes, finally applying pitch transformations in the form of Granular synthesis. In this case, incoming MIDI does not trigger drums as it does in Impulse, but selects the final pitch of the sample, with C3 playing the sample at its original pitch.
  • Drum Rack - a sampler for drums, ableton 10.1.5 Archives. MIDI notes trigger individual "Simplers" so rather than triggering one sample at multiple pitches, individual samples are triggered at predefined pitches, as is suitable for MIDI drum programming. As is usual with Ableton almost anything can be drag dropped to or from the drum racks; for example, one can drop an audio clip or any MIDI device onto a drum rack note.
  • Instrument Rack - allows the user to combine multiple ableton 10.1.5 Archives and effects into a single device, ableton 10.1.5 Archives, allowing for split and layered sounds with customized macro controls.
  • Analog - simulates an analog synthesizer.
  • Bass - a monophonic virtual analog bass synthesizer.
  • Collision - a mallet percussionphysical modelling synthesizer.
  • Drum Synths - 8 devices for creating drum and percussion sounds via synthesis.
  • Electric - an electric piano instrument.
  • Operator - an FM synthesizer.
  • Poli - a virtual analog synthesizer that combines subtractive ableton 10.1.5 Archives FM synthesis
  • Sampler - an enhanced sampler.
  • Tension - a string physical modelling synthesizer.
  • Wavetable - a wavetable synthesizer featuring two oscillators and re-mappable modulation sources.

Ableton also has available a massive selection of Add-on Sample Packs with which a user can expand the sound libraries for their instruments.

  • Session Drums - a collection of sampled drum kits.
  • Latin Percussion - a collection ableton 10.1.5 Archives sampled latin percussion hits and loops.
  • Essential Instruments Collection - a large collection of acoustic and electric instrument samples.
  • Orchestral Instrument Collection - a collection of four different orchestral libraries, which can be purchased individually or as a bundle: Orchestral Strings, Orchestral Brass, Orchestral Woodwinds and Orchestral Percussion. The Orchestral Instrument Collection is included upon ableton 10.1.5 Archives of Live Suite but must be downloaded separately.

[8]

Dedicated hardware instruments[edit]

Akai Professional makes the APC40 mk II, a MIDI controller designed to work solely with Ableton Live. A smaller version, the APC20, was released in 2010. Though ableton 10.1.5 Archives are many MIDI controllers compatible with Live, these Akai units try to closely map the actual Ableton Live layout onto physical space. Novation Digital Music Systems ableton 10.1.5 Archives created the "Launchpad" which is a pad device that has been designed for use with Ableton. There are currently four different Launchpad models: Launchpad Mini, Launchpad X, Launchpad Pro, ableton 10.1.5 Archives, and Launchpad Control. Ableton has also released their own MIDI controller, the Push, which is the first pad-based controller that embraces scales and melody.[9] In November 2015, Ableton released an updated MIDI controller, the Push 2, along with Live 9.5.[10] Push 2, in terms of its design, features a new colorful display, improved buttons and pads, and a lighter frame.[11]

Effects[edit]

Most of Live's effects are already common effects in the digital signal processing world which have been adapted to fit Live's interface. They are tailored to suit Live's target audience – electronic musicians and DJs - but may also be used for other recording tasks such as processing a guitar rig. The effects featured in Ableton Live are grouped into two categories - MIDI effects and audio effects.

Live is ableton 10.1.5 Archives able to host VST plugins and, on the macOS version, Ableton 10.1.5 Archives Unitplug-ins as well as Max for Live devices since Live 9.

Working with audio clips[edit]

Sashaplaying a DJ set using Ableton Live running on an iMac G5.

In addition to the instruments mentioned above, Live can work with samples. Live attempts to do beat analysis of the samples to find their meter, number of bars and the number of beats per minute. This makes it possible for Live to shift these samples to fit into loops that are tied into the piece's global tempo.

Additionally, Live's Time Warp feature can be used to either correct or adjust beat positions in the sample. By setting warp markers to a specific point in the sample, arbitrary points in the sample can be pegged to positions in the measure. For instance a drum beat that fell 250 ms after the midpoint in measure may be adjusted so that it will be played back precisely at the midpoint.

Some artists and online stores, such as The Covert Operators and Puremagnetik, now make available sample packs that are pre-adjusted, with tempo information and warp markers added. The audio files are accompanied with an "analysis file" in Live's native format (.asd files).[12][13]

Ableton Live also supports Audio To MIDI, which converts audio samples into a sequence of MIDI notes using three different conversion methods including conversion to Melody, Harmony, or Rhythm. Once finished, Live will create a new MIDI track containing the fresh MIDI notes along with an instrument to play back the notes. Audio to midi conversion is not always 100% accurate and may require the artist or producer to manually adjust some notes.[14] See Fourier transform.

Envelopes[edit]

Almost all of the parameters in Live can be automated by envelopes which may be drawn either on clips, in which case they will be used in every performance of that clip, or on the entire arrangement. The most obvious examples are volume and track panning, ableton 10.1.5 Archives, but envelopes are also used ableton 10.1.5 Archives Live to control parameters of audio devices such as the root note of a resonator or a filter's ableton 10.1.5 Archives frequency. Clip envelopes may also be mapped to MIDI controls, which can also control parameters in real-time using sliders, faders and such. Using the global transport record function will also record changes made to these parameters, creating an envelope for them.

User interface[edit]

Much of Live's interface comes from being designed for use in live performance, as well as for production.[15] There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).

Live now supports latency compensation for plug-in and mixer automation.

See also[edit]

References[edit]

  1. ^"Live 11 Release Notes", ableton 10.1.5 Archives. Retrieved 16 August 2021.
  2. ^"Ableton Live End Use License Agreement". Archived from the original on August 19, ableton 10.1.5 Archives, 2014. Retrieved August 18, 2014.
  3. ^"Live comes in three editions: Intro, Standard and Suite. They share common features, ableton 10.1.5 Archives, but Standard and Suite have additional features, instruments, effects, and Packs", ableton 10.1.5 Archives. Ableton. Retrieved 23 February 2021.
  4. ^Battino, David; Richards, Kelli (2005). The Art of Digital Music, ableton 10.1.5 Archives. San Francisco, CA: Backbeat Books. p. 3. ISBN .
  5. ^Slater, Maya-Roisin. "The Untold Story of Ableton Live—the Program That Transformed Electronic Music Performance Forever", ableton 10.1.5 Archives. Vice.com. Vice Media LLC. Retrieved 8 August 2019.
  6. ^"Prototyping explained by Live co-creator Robert Henke". Archived from the original on 2011-07-07. Retrieved 2010-11-18.
  7. ^"A brief history of Ableton Live". Future Music. Future Music Publishing Quay House, ableton 10.1.5 Archives. Retrieved 13 August 2019.
  8. ^"Live 10 comes in three editions: Intro, Standard and Suite. They share common features, but Standard and Suite have additional features, instruments, effects, and Packs". Ableton.com. Retrieved 18 May 2020.
  9. ^"Using Push — Ableton Reference Manual Version 10 - Ableton". www.ableton.com. Archived from the original on 2014-11-10.
  10. ^"Archived copy". Archived from the original on 2017-10-23. Retrieved 2017-06-27.CS1 maint: archived copy as title (link) Resident Advisor News: Ableton unveils Push 2 and Live 9.5
  11. ^"Create music with Ableton Push

    Ableton Live Suite 10.1.15

    Ableton Live Suite 10.1.15 Multilingual macOS

    Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds ableton 10.1.5 Archives creative features—everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without ableton 10.1.5 Archives the music and without breaking your flow.

    What’s New:

    What’s New in Ableton Live Suite 10:
    Create with new devices
    Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colorful new sounds are possible with Live’s instruments and effects.

    Stay in the flow
    You’ll find improvements to Live that help you stay in the flow at every stage of your creative process, whether you’re getting ideas down, organizing your setup or editing the details of your music.

    Do even more from Push
    Live 10 brings new functionality and new high-res visualizations to Push. Now you’ll spend even less time with the computer—whether you’re composing ideas, ableton 10.1.5 Archives, editing MIDI or shaping and mixing sounds.

    New library of sound
    With new collections of Packs, Live 10 has more sounds that are ready for finished music, right out of the box. They’re set up for tweaking to your needs or taking in different directions. Plus the library has been reorganized to make it easier to find what you’re looking for.

    Max for Live – no limits, built in
    Max technology is now fully integrated into Live 10 Suite. No additional download or set up is required to create with and customize Max For Live devices. They just work. Plus new devices and capabilities bring more possibilities for musicians and device developers.

    Homepagehttps://www.ableton.com

    Screenshots


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    Launchpad95 : Improved Novation Launchpad remote scripts

    These scripts are modified version of Ableton Live 9.2 scripts for Novation Launchpad and provide the same functionality but add support for editing the midi clips using a step sequencer, ableton 10.1.5 Archives, an Instrument Controller and Device Controller and an improved Instrument Mode. It does not require any external tool like Max for Live (M4L) in order to work. This script is just a plain Live Control Surface Python Script.


    Comment, feedback and updates : please check this thread on Ableton forum http://forum.ableton.com/viewtopic.php?f=1&t=168495

    Willing to make a donation ? paypal to my account hdavid@mail.com.

    Installation

    Supported Hardware and Software

    Ableton Live 9.2 or greater, 10 and 11 are supported.

    In terms of hardware the following are supported:

    • Launchpad
    • Launchpad S
    • Launchpad Mini
    • Launchpad Mini MK2 (RGB)
    • Launchpad Mini MK3 (RGB)
    • Launchpad X (RGB)
    • Launchpad PRO see Launchpad Pro95
    • Launchpad PRO MK2 is not supported

    Setup

    User Manual

    Four modes are added on top of the existing modes. These are Drum Step Sequencer mode to edit midi clips, a medodic step sequencer, and Device Controller mode to edit any parameter of any instrument, effect or device on any track of your arrangement, ableton 10.1.5 Archives, and finally an Instrument Mode providing a tighter integration with Live.

    Note the manual is also available in french as a PDF, ableton 10.1.5 Archives, thanks to François Lehérissier.

    Instrument Controller Mode

    Instrument Mode replaces classic User Mode 1. To activate Instrument Controller Mode, press User Mode 1 button (mode button remains amber). Press User Mode 1 button once again, button turns green, activating the Device Controller. Once more the button will turn red, activating the plain old User Mode 1 in case you need it.

    The top up/down navigation buttons allow to navigate scenes, ableton 10.1.5 Archives, while the left/right button allow to navigate tracks. The scene buttons allow you to control the currently selected track and clip, arm, solo, record, ableton 10.1.5 Archives, play, stop etc (see below).

    The matrix of buttons act as a midi keyboard proposing a drum rack layout, and a melodic mode. Melodic mode enable you to select root note, type of mode (major, minor etc), and the octave you play in.

    Most of the scene buttons have alternate functions when you hold them long (0.5 sec) :
    - undo : a long press will perform a redo !
    - stop : a long press will DELETE currently selected clip. No ableton 10.1.5 Archives this is undoable !
    - solo : a long press on solo will enable/disable the selected track.
    - arm : holding arm for more than 0.5 seconds will toggle live's metronome. A very long press (2 sec) will alternate between auto arm of track and manual track arming. Colour of the button will reflect the selected mode. This is really useful if you have more than one controller/person interacting with Live.

    prev scenenext sceneprev tracknext trackSession modeuser 1 Inst.user 2 stepmixer mode
            
            
            
            
            
            
            
            

    scale edition mode

    To enter scale edition mode press (and keep pressed) the 1st scene button from Instrument mode.

    prev scenenext sceneprev tracknext trackSession modeuser 1 Inst.user 2 stepmixer mode
    absolute rootorient.chromatic guitardiatonic sequentdiatonic 3rddiatonic 4thchromaticdrumrack
    C#D#relative scaleF#G#A#5th leftquick scale mode
    CDEFGAB5th right
    -2-1012345
    MajorMinorDorianMixolyd.LydianPhrygianLocrianDiminish.
    Whole-halfWhole ToneMinor BluesMinor Penta.Major Penta.Harmonic MinorMelodic MinorSuper Locrian
    BhairavHunga. MinorMinor GypsyHirojoshiIn-SenIwatoKumoiPelog
    SpanishIonEol      
    Orient
    this button will change the orientation from vertical to horizontal of the instrument mode.
    Absolute root
    the bottom left left button will always be the root mode of the selected root note.
    Chromatic Guitar
    Scale Mode is pretty much like regular chromatic mode, except the top four rows are all shifted by one semitone. This is so that the bottom 6 rows emulate standard guitar tuning.
    Diatonic sequent
    each row represents an octave, so each first and last button of each row will be the root note.
    Diatonic 3rd
    when moving from one button to the next top, you will move a 3rd degree in the scale. 3rd is very practical to play chords vertically.
    Diatonic 4th
    when moving from one button to the next top, you will move a 4th degree in the scale, ableton 10.1.5 Archives. 4th is the default mode, also on the push.
    Chromatic
    each button to the left or right of a button will be a semitone lower or higher.
    C, C#, D, D#, E, ableton 10.1.5 Archives, F, F#, G, G#, A, A#, B
    selects the root note of the scale.
    Relative scale
    changes current selected scale to its relative scale. IE. from C major to C minor and viceversa.
    5th left
    changes current selected Blender 2.83 Crack Archives to the prior scale in the circle of fifths (a 5th ableton 10.1.5 Archives right
    changes current selected scale to the next scale in the circle of fifths (a 5th higher).
    Quick scale mode
    substitutes the top 2 rows of instrument mode for the quick scale modes (see below).
    -2, -1, 0, 1, 2, 3, 4, 5
    changes the octave of the instrument mode.

    quick scale modes

    if quick scale is activated (last button on the right on the 2nd row in scale edit mode), the two first rows of the launchpad allow you to quickly change the scale.

    this shows the two first rows of the launchpad. the last button of the first row changes between root note selection and mode selection.

    root note

    in this mode you can select the root note of your scale. you can also quickly alternate between minor and major by pressing the button again

    C#D#relative scaleF#G#A#5th leftscale / mode toggle
    CDEFGAB5th right
    quick scale modes: modus

    in this mode you can select the mode of your scale.

    MajorMinorDorianMixolyd.LydianPhrygianLocrianscale / mode toggle
    Diminish.Minor BluesHarmonic MinorMelodic MinorSuper LocrianHunga, ableton 10.1.5 Archives. MinorMinor GypsySpanish
    note repeat

    in this mode you can activate and configure note repeat.

    Swing +2.5% Swing -2.5%Swing 0%Swing 25%Swing 50%Swing 75%Repeat On/OffScale / mode toggle
    1/41/4T1/81/8T1/161/16T1/321/32T

    Drum Step Sequencer Mode

    To activate the Drum Step Sequencer, select a midi clip in the clip view. Then press User Mode 2 button once, activating the step sequencer (in normal mode). Press user mode 2 button once more opens the Melodic step sequencer

    this sequencer has two sub modes detailed below. combined and multinotes. (note there is a second step sequencer, melodic step sequencer detailed further down).

    A playback/metronome indicator is scrolling thru the grid in amber to indicate the playing position of the clip as the clip is playing. This is just an overlay, ableton 10.1.5 Archives, it does not affect the functionality of the buttons.

    Here are the colour codes used :
    - Normal notes are shown in Green, intensity depending on their velocity.
    - Muted notes are displayed in red.
    - Notes being currently played are flashing in red.
    - Notes being played and being outside of the currently displaying midi clip block will also flash in red.

    Some other information is displayed, ableton 10.1.5 Archives, using orange colour :
    - Note markers help to better visualise what row correspond to which note:
         - root note of the selected are marked with three orange left buttons lit up.
         - other notes of the scale are marked with one orange button lit on the left-most row.
    - while scrolling left and right along the clip, a vertical bar will display you where you are in the clip

    A summary of functions assigned to the buttons is shown in the table below. hover your mouse above a button to get detailed descriptions.

    StepSeq by default works in combined mode. pressing the 4th scene button toggles between combined mode and multi note mode. Multinote mode works in similarly to the the previous step in launchpad85, ableton 10.1.5 Archives, while combined mode offers mode close to the way Push StepSeq behaves.

    Combined Mode

    The bottom left area let you select the note currently being edited on the top note editor.

    The bottom right area allows you the select the currently clip part currently being displayed (single button press) and edited (double press or one button after the ableton 10.1.5 Archives.

    Some buttons have combined function :

    • Lock (2nd scene button):
      • press long to switch between clip lock and play clip on locked track mode
      • yellow : track lock mode. step sequencer is locked to current track and will follow playing ableton 10.1.5 Archives on this track
      • red : step sequencer is locked to current clip.
    • quantize (3rd scene button):
      • press long duplicate clip in a new clip
    • Mute (last scene button):
      • hold mute button and click on a note to mute it
      • hold mute button and press on a note in the bottom left quadrant to mute it
      • hold mute button and select a loop range in the loop selector to delete it
    • velocity (7th scene button):
      • hold velocity button and click on a note to change its velocity
      • hold velocity button and click on a note to change in the note selector to ear a preview of the sound
      • hold velocity button and select a loop range in the loop selector to extend the original clip content to the newly selected length
    • velocity (7th scene button) and mute
      • hold velocity button and mute button at the same time and select a loop range in the loop selector in order to mute this time selection



    prev scenenext sceneprev tracknext trackSession modeuser 1 device

    cycle thru StepSequencers and User Mode 2

    user 2 step
    mixer mode
            
            
            
            
            
            
            
            

    Multinote Mode

    To activate this mode, press the 4th scene button while in Combined Mode (pressing the same button again will take you back to Combined Mode).

    This mode uses the grid as a 8*8 matrix. one midi note per row. It follows the scale mode selected. Note that the left and right arrows are used to navigate left and right in the clip.




    select prev scene

    prev scene

    select next scene

    next scene

    select prev clip page

    prev
    page

    select next clip page

    next
    page
    Session modeuser 1 device

    cycle thru StepSequencers and User Mode 2

    user 2 step
    mixer mode
            
            
            
            
            
            
            
            

    Melodic StepSequencer

    To activate this mode, press user mode 2 button until it turns green.

    This mode behave more how a hardware stepsequencer works. it uses the grid as a 7*8 ableton 10.1.5 Archives to edit note pitch, velocity, length and octave. one function per page. of course notes pitches follow the selected scale !

    The last row of the matrix acts as a page selector and work in the similar fashion to the combined step stequencer loop selector.

    double press on the last scene button toggles between monophonic and polyphonic modes.




    select prev scene

    prev scene

    select next scene

    next scene
    prev tracknext trackSession modeuser 1 device

    cycle thru StepSequencers and User Moder 2

    user 2 step
    mixer mode
            
            
            
            
            
            
            
            

    Device Controller Mode

    Navigation

    Navigation among tracks and devices is done using the top left navigation buttons.

    Editing parameters

    You can edit eight parameters of the selected device on the selected track at once. One parameter per column. You can navigate banks of parameters using scene buttons 2 and 3. depending on the type of parameter edited launchpad will display then in different ways.

    On/Off parameters
    using the color code red. only one button will be used to change the parameter
    Parameter with list of values
    for the parameters that have a list of values, the colour code it amber, for example a Synth wave form selector (square, sine, triangle). If the parameter has less that 8 values, ableton 10.1.5 Archives, they will be directly acessible one by one. if more values are available, you can scroll thru the values. the closer the button to the center the more precise. the closer the top or bottom of the launchpad, the greater the value change will be at each press.
    Parameter continuous values
    for the parameters that have a continuous value, like Volume, Panning, etc, the colour code is green. by default Launchpad displays the parameter like a volume slider on the mixer mode, ableton 10.1.5 Archives. if you activate the precision slider mode (by pressing scene 4 button), the sliders will then work in the similar way to the case of parameter with list of values.

    Locking to devices

    You can save up to 4 devices using the 4 bottom scene button. if not device is saved, the button will be pink. To save a device, first select the desired device, then press one of the 4 last scene buttons for more than half a second. the button turn red ! your device is saved. You can recall it at any time by a short press on the scene button, ableton 10.1.5 Archives. To unsave a device, apply a long press again on the button.



    Device+Device-Track-Track+Session modeuser 1 device

    cycle thru StepSequencers and User Moder 2

    user 2 step
    mixer mode
            
            
            
            
            
            
            
            

    Session Mode

    scenes upscenes downtracks lefttracks rightSession modeuser 1 Inst.user 2 stepmixer mode
            
            
            
            
            
            
            
            

    User1 Mode

    Note that User1 Mode is now disabled by default. It can be activated again by editing Settings.py

        Session modeuser 1 Inst.user 2 stepmixer mode
            
            
            
            
            
            
            
            

    User2 Mode

    Note that User2 Mode is now disabled by default, ableton 10.1.5 Archives. It can be activated again by editing Settings.py

        Session modeuser 1 Inst.user 2 stepmixer mode
            
            
            
            
            
            
            
            

    Mixer Mode

    Volume

    If you wish to override default mapping for volume slider buttons you can set it via setting in "Settings.py" file.

    prev scenenext sceneprev tracknext trackSession modeuser 1 Inst.user 2 stepmixer mode
            
            
            
            
            
            
            
            

    Max For Live On Screen Display / Helper

    Launchpad95 comes packaged with a Max for Live device that will display useful information about currently selected tracks, clips and other parameters. Make sure to try it !

    It is available Launchpad95/M4LDevice/Launchpad95 OSD.amxd

    Source

    F.A.Q.

    1. Which Launchpad flavours are supported
    Launchpad, Launchpad Ableton 10.1.5 Archives, Mini, Mini MK2 and MK2 (RGB), Mini MK3, and Launchpad X are supported
    Basically all Launchpad but the pro are supported by this script.
    Launchpad Pro is supported by Launchpad Pro95
    2. Which Ableton live versions are supported
    Launchpad 95 works with Live 9.2+, and Live10 32 bit or 64 bit, Mac or Windows, suite or intro or standard. Basically with every combination you may think of as long at it is live 9.2 or greater.
    Of course Ableton from time to time change their Python Live without notification and therefore Launchpad95 might stop working, but i am trying to keep up and the changes.
    if Launchpad95 stopped worked after an update, ableton 10.1.5 Archives, make sure to download the last version from this site.

    3. Where should I put the script (for live 10 & 11)?
    From Live Browser, head to your "User Library". and create a folder "Remote Scripts"
    Right click this folder and select "show in finder/explorer".
    Copy the Launchpad95 folder there.
    4. Where should I put the script (for live 9)?
    On pc/windows 7 : inside "C:\ProgramData\Ableton\Live 9 Suite\Resources\MIDI Remote Scripts"
    On a mac right-click the Live application you use (there might more than one installed!) and select "view package content", then browse to "App-Resources/MIDI Remote Scripts", ableton 10.1.5 Archives.

    Inside this "MIDI Remote Scripts" folder, you should have a folder called "Launchpad95". inside this folder you should have a bunch of .py files, and a for each of them a .pyc file. (.pyc files are compiled version of the .py that live compiles as you start it.)

    Sometimes a picture is worth 1000 words. Take a look at these screenshots.
    - On a mac it look like this:

    - on a pc like that:

    5. It does not work, I installed everything, but the launchpad does not light up when I select Launchpad95 in the dropdown in the preferences. what is wrong ?
    It is hard to guess what you did wrong. You must have installed not the right way somehow, ableton 10.1.5 Archives. Try to install it from scratch again, download from this site, extract install, restart live. Among the list of things you can try to do :
    • - check the you installed at ableton 10.1.5 Archives right place. (check question #3 and question #4 !)
    • - Pay attention to the folder name AND its full path. (again see screenshots in above in question #3question #4)
    • - how many versions of live do you have installed ?
    • - are you running live 9.2 or greater ? for live 8 please use launchpad85. For live 9.0, upgrade to live 9.2+.

    6. It does not work, I installed everything, but Launchpad95 does not appears the dropdown in the preferences. what ableton 10.1.5 Archives wrong ?
    See question 5.

    7. Note Feedback is not working in Instrument Controller
    Make sure you activated the launchapd midi in/out as "track" in Live midi preferences.

    8. Live 8 ?
    For Live 8.4: Launchpad85.
    9. good work ! I wish to donate ! is there a way to donate somehow ?
    Sure ! Your donations allowed me ableton 10.1.5 Archives pay for the Launchpad Pro that is now supported ! thank you for this.
    paypal to my account hdavid@mail.com. ableton 10.1.5 Archives Issues
    • in live 9, moving notes in clip editor while stepseq is open duplicates notes.
    • Launchpad85 for live 8 is now longer maintained/improved.

    History

    • 2021-04-07 - fixes for backward compatiblity with Live9
    • 2021-02-24 - fix for older launchpads + Live11
    • 2020-12-16 - Support for Live 11. User mode 1 and 2 are now disabled by default. They can be enabled from Settings.py
    • 2020-03-23 - enable RGb session mode on LPX and LPmini MK3
    • 2020-01-12 - user customisable mixer volume slider values
    • 2019-11-02 - ableton 10.1.5 Archives for Launchpad Mini MK3 and Launchpad X
    • 2019-08-26 - documentation fixes. duplicate clip now does not fire it.
    • 2017-04-01 - note repeater ! (sub mode of quick scale mode) contribution from Pablo Torres.
    • 2016-04-09 - small fixes for mk2. skin improvements
    • 2016-03-28 - Launchpad MK2 RGB autodetect. better skinning. merging device mode from launchpad pro95
    • 2016-03-02 - Launchpad MK2 RGB support.
    • 2015-12-31 - code cleanup, partial and untested support for MK2 RGB, skinning
    • 2015-04-03
      - save scale in clip in stepseq and instrument mode (off by default, check Settings.py)
      - customisable user modes (in Settings.py)
      - clean up TrackController
    • 2015-02-24 - minor fix for live 9.2 beta 1
    • 2015-02-13 - minor fixes
    • 2015-01-20 - change: Option to add clip stop buttons moved to Settings.py
    • 2015-01-14 - add: added option to add stop buttons at bottom of session (MainSelectorComponent.py:39)
    • 2015-01-14 - fix: minor cleanup and bugfixes !
    • 2014-12-06 - fix: minor cleanup and bugfixes !
    • 2014-10-03 - change: revamped device controller !
    • 2014-09-16 - change: minor fixes in melodic stepseq.
    • 2014-07-14 - change: double pressing mute button in stepseq holds shift.
    • 2014-06-11 - fix: compatibility fix for live 9.1.3b8. should be backward compatible with 9.1.2 fix : minor fixes
    • 2014-04-30 - add: m4l OSD/helper. fix : minor fixes in step seq. fix : uniformise scale edition and quick scale
    • 2014-03-28 - fix: bugs while in drumrack mode. fix session scene not working while exiting user mode 1. add: relative scale to quick scales, added circle of fifth navigation
    • 2014-03-12 - fix: compatibility with max4live in user mode 2. fix midi channels for some modes. add: duplicate clip in step seq (hold lock button for 0.5sec).
    • 2014-02-27 - major update !
          - new melodic step seq !
          - preview of notes in combined step seq (hold 7th scene button and play on the note selector in the lower left corner of the matrix)
          - quick scale in instrument mode to quickly change scale while playing
          - compatibility with live 9.1.1 and 9.1.2 or above.
          - various bugs fixes and improvements.
    • 2014-01-06 - add: diatonic 3rd and sequent and guitar chromatic modes. fix: implicit arm. change: updated documentation
    • 2014-01-06 - fix: track locking in step seq
    • 2013-12-16 - fix: led feedback in instrument mode !
    • 2013-12-11 - add: improve integration with launchpad95Colour.
    • 2013-12-07 - change: change scale colour. minor bugfix.
    • 2013-11-18 - fix: improve stepseq lock to a track mode.
    • 2013-11-18 - add: long press on the stepseq Corel WordPerfect Office 2020 v20.0 Full Version Features button to lock to a track.
    • 2013-11-11 - add: combos to mute, delete and extend clip content in step sequencer
    • 2013-10-28 - fix: small bug fixes
    • 2013-10-23 - add: add option to compress channels used by launchpad95 to free up channels for other devices
    • 2013-10-18 - fix: show device panel while activating ableton 10.1.5 Archives controller. fix led blinking when entering stepseq. properly turn off scene buttons in user modes. add: use clip color palette to blink white clips
    • 2013-10-09 - fix: Fix Clip linking in StepSeq. small fixes.
    • 2013-09-27 - fix: matrix not fully updated while entering multinote stepseq.
    • 2013-09-22 - fix: compatibility with live 9.1 beta. Fix Clip linking in StepSeq.
    • 2013-09-02 - fix: fix a few bugs in metronome and clip callback in stepseq
    • 2013-08-13 - add: complete rework of the stepseq
    • 2013-05-28 - fix note highlighting in StepSeq in hires. various minor fixes in stepseq. Fix UserMode2 (was sending midi notes)
    • 2013-05-25 - fix paging StepSeq, add support for selected DrumPad at the highest resolution, ableton 10.1.5 Archives. fix note feedback when entering instrument mode, ableton 10.1.5 Archives. add: very long press Arm in instrument mode to toggle implicit track arm
    • 2013-05-09 - fix for live 9.0.4: replace overdub by session_record in TrackController, ableton 10.1.5 Archives. overdub in Python API started to behave strange from 9.0.4.
    • 2013-05-04 - add: long press on solo to mute/unmute track in instrument mode. fix: disable implicit arm ableton 10.1.5 Archives leaving instrument mode.
    • 2013-04-13 - change : changed some buttons in instrument mode. support for implicit arm.
    • 2013-04-13 - add : support for Instrument mode
    • 2013-03-13 - fix : fix loop length dec button
    • 2013-03-05 - add : Launchpad95 to support Live 9
    • 2012-10-21 - change : while extending midi clip, clone existing notes in the newly created portion
    • 2012-02-02 - change : fixed midi channels for step sequencer and device controller to avoid conflicts
    • 2012-01-22 - add: up/down per octave paging in step sequencer (press and hold mute and press navigation keys) fix:scrolling boundaries
    • 2012-01-21 - add: Scale mode. fix: better scrolling in fold and scale mode. change: merged mute shift and mute. changed: merge velocity and velocity shift.
    • 2012-01-03 - add: easier to configure metronome and note markers in step sequencer. add: adapted LaunchpadColour (Launchpad85Colour) to this script, ableton 10.1.5 Archives, for color blind people
    • 2012-01-02 - bug fix: improve button response time in step sequencer (was causing problem while pressing multiple buttons at once)
    • 2011-12-31 - bug fix: loops longer than 8 blocks were not supported. add : scale marked in step sequencer marking C (3 amber blocks) and A (one amber block)
    • 2011-12-29 - bug fix: some buttons not responding correctly in user mode 1
    • 2011-12-26 - Improved live integration (shows Device chain/clip editor). fixed crash while loading Live Set
    • 2011-12-23 - support for MaxForLive. addition of lock mode in step sequencer. bug fixes. renamed from Launchpad75 to Launchpad85.
    • 2011-10-05 - addition mute lane in step sequencer
    • 2011-10-01 - addition of device controller
    • 2011-08-20 - bug fixes
    • 2011-07-22 - first public version
    • 2011-05 - working on an initial version

    Contact

    feel free to contact me for any suggestions and bug reports.

    back

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New features and improvements
Bugfixes
Changes for Push
Push Bugfixes

New features and improvements

Arrangement Editing
Automation
Control Surfaces
Interface Improvements
Max for Live improvements
MIDI editor
New Devices and Device Improvements
Setup
Wavetable

Arrangement Editing

  • When copying a time selection inside an automation lane, this can now be pasted upon the content lane. The copied automation will always land in the correct lane.

Automation

  • When nudging a time selection in an automation lane, the automation outside the selection remains unchanged.
  • Enabled vertical auto-scrolling when dragging an automation lane.
  • Reintroduced the toggle button for showing/hiding additional automation lanes.
  • Additional automation lanes are now unfolded by default.
  • Improved the horizontal movement of a range of automation segments. Ramps are no longer created when a time selected range of automation is moved (by nudging or dragging) horizontally and is still partially within the original time range.
  • Fades no longer snap to the Arrangement View grid.

Control Surfaces

  • Added support for IK Multimedia iRig Keys I/O.
  • When connected, the Novation Launchpad S and Launchpad Mini control surfaces are now automatically selected in the Preferences.

Interface Improvements

  • Improved Live's perfomance when resizing audio clips in the Arrangement.
  • Added a gap between the handle and the track of the scrollbar in the Arrangement and Session View.
  • Sharpened the appearance of the triangle that appears above bipolar knobs.
  • Adjusted spacing between devices and meters in device chains.
  • Adjusted the color of the Arrangement Overview frame to increase visibility in dark Themes.
  • Changed the color of Drum Rack label to increase visibility in the Dark Theme.
  • Adjusted the spacing below Session View's horizontal scrollbar so that it is centered.
  • Adjusted the selection frame in device groups and corrected ableton 10.1.5 Archives in the look and behaviour of the Sampler device.
  • A track created by dropping a single clip into the Session or Arrangement View's Drop Area now inherits the clip color instead of the source track color. When dropping several clips at the same time, the new track still inherits the source track color, as before.
  • Improved the playhead smoothness on Windows.

Max for Live improvements

  • Max 7 license owners can edit gen~ patchers in Live 10's Max for Live editor.
  • Fixed permissions issues on macOS for non-Admin accounts.
  • Updated documentation for the Live Object Model.
  • Improved UI repainting and Live queue processing with many Max for Live devices.
  • Multi-core rendering in Live is now supported if a Set contains Max for Live devices.

MIDI editor

  • MIDI note chasing now works when:  
    • scrubbing in the Arrangement View.
    • restarting transport using "Shift" + "Space" in the Arrangement View.
    • scrubbing in the Detail View of an Arrangement clip.
    • scrubbing in the Detail View of a Session clip.
  • Previously, there was a possibility ableton 10.1.5 Archives all MIDI notes in a key could disappear when stretched to an extremely small size (e.g., ableton 10.1.5 Archives, when using the ":2" button). This has now changed, and further stretching is not possible once notes reach a very small size.

New Devices and Device Improvements

  • Filter curve visualisations in Wavetable are updated in real time in cases where e.g. an LFO or Envelope is mapped to the filter cutoff frequency.

Setup

  • On Windows, Live now cleanly shuts down when a user logs out, shuts the computer down or reboots it. It also displays a message explaining why it is preventing the computer shutting down, giving the user 30 seconds to abort shutting down and save the Set.
  • Updated various info texts.
  • Added translations for the following lessons: "A Tour of Live", "Recording Audio", "Creating Beats", "Playing Software Instruments" and "Max for Live Devices".
  • When re-opening Live, the state of the Computer MIDI Keyboard on/off toggle is now remembered.

Wavetable

  • In Wavetable's Mod Matrix, the left column containing target names now features bars that indicate the unmodulated and modulated value of the respective parameter. Additive modulation is indicated by a bipolar bar starting from the unmodulated value, ableton 10.1.5 Archives, while multiplicative modulation is indicated by a unipolar bar starting from the left.
  • When Live's transport is started or if there is a jump in beat time, Echo and Wavetable LFOs now update their phase if they are Warhammer 40000 Dawn of War soulstorm crack serial keygen Editing
    Automation
    Browser
    Control Surfaces
    File Handling
    Interface Improvements
    Max for Live bugfixes
    MIDI editor
    Multi MIDI Clip editing
    Navigation
    Nested Groups
    Devices
    Setup
    Wavetable

    Arrangement Editing

    • Previously, when freezing a track, the hatched pattern that indicates frozen tails would also erroneously appear in the track's clip headers.
    • Previously, start and end markers for unwarped audio clips were erroneously quantized to the grid.
    • Creating a warp marker could trigger scrolling of the selected clip under certain circumstances.
    • Previously it was not possible to adjust the loop start position in unwarped audio clips without quantization.
    • A crash would occur when editing the crossfade between two very short clips.
    • Fixed a crash when removing a device that showed a parameter in an additional automation lane while the mouse is hovering over the parameter's automation.
    • The "Select Track Content" context menu command would not work on multiple selected tracks.

    Automation

    • Previously, when copying an Arrangement clip with existing automation to another track, automation would not be copied even if the target track and source track contained identical devices. Also, if a track is created by dragging a clip into the Arrangement drop area, all automation is now copied over and set to the the correct time.
    • Copying and pasting automation might lead to unexpected results, if the copied selection extended across multiple tracks.
    • The Show/Hide Additional Automation Lanes button is now always visible when unfolding a track that has been folded by resizing.
    • When pressing the Option (Alt) key and clicking on a track's Unfold Track button, ableton 10.1.5 Archives, the position of that track does not change.
    • MIDI Ctrl or Mixer modulation envelopes would be lost when dragging a clip from Arrangement to Session View.
    • Live could crash on Windows when clicking on a breakpoint while holding the grid modifier.
    • Positioning fade handles with arrow keys was not working correctly.

    Browser

    • AU plug-in default presets (.aupreset files) were no longer shown in the Live 10 browser.
    • Files from the "Current Project" label might fail to appear in the browser under certain circumstances.
    • File types unsupported in certain editions and when run as a ReWire slave (e.g. amxd and .aupresets) erroneously appeared in Live's browser.
    • .M4A audio files would not show up in Live's browser anymore.

    Control Surfaces

    • Added bank definitions to Wavetable for third-party control surfaces.

    File Handling

    • Previously it was not possible to delete files or directories with names containing slashes.
    • Previously, toggling Automation Mode would create an Undo step.
    • Fixed a crash that occurred if a Live Set ableton 10.1.5 Archives "{}" characters in its name.
    • Plug-ins and Sets that ableton 10.1.5 Archives saved in directory ableton 10.1.5 Archives on Windows work again.
    • Live would crash when launching the program by double-clicking a Live Set, in cases where the Live Set was corrupted.
    • Fixed a problem which might prevent AU presets from recalling correctly.

    Interface Improvements

    • Improved CPU usage by reducing the amount of graphic updates for the Detail View.
    • Live's window contents no longer briefly flicker after changes to a hardware display setup.
    • Depending on the language used in Live, the progress of the crash recovery wasn't visible on the splash screen because the text was clipped.
    • Improved the drag and drop handling on HiDPI screens. Previously, dragging a file from Explorer into Live would show the ableton 10.1.5 Archives at the wrong position in Live (Windows only).
    • Fixed a bug which caused text to overflow on top of the frame ableton 10.1.5 Archives the browser's search field.
    • Fixed a bug which caused clips to be incorrectly colored when readded to a Live Set, if an .asd file was previously created.
    • On Windows 10 with HiDPI displays, dragging and dropping within Live, into Live, ableton 10.1.5 Archives within scaled plug-ins now works as expected, ableton 10.1.5 Archives. Please note that dragging and dropping from Live to other programs or to HiDPI-aware plug-ins may still cause issues when HiDPI Mode is active.
    • Fixed a bug where sequences of visually short borderless notes would be nearly invisible if crowded into overlapping pixel areas.
    • Fixed a minor visual issue affecting corners in grouped devices.
    • Fixed a minor inconsistency in the height of notes in Arrangement clips and clip previews.
    • Upon loading a Live Set, the clip envelope parameter selection would not be restored in the Detail View.
    • When double-clicking and dragging a slider control, the mouse cursor would not be hidden as expected, if Pen Tablet Mode was disabled.
    • Meters in Live's mixer would appear as stuck when loading a Set.
    • Improved UI performance on Windows when resizing Arrangement clips.
    • Fixed a bug which incorrectly applied bold formatting to chunks of text in the Help View.
    • If HiDPI was enabled on a Windows 10 machine, the preview of a dragged object (either dragged within Live or into Live) would appear offset.
    • If multiple audio clips were selected, changing a selection in the Detail View would create a wrong time selection in the Arrangement.
    • Removed inconsistent extra spacing from the context menu entry "Add Lane for Each Automated Envelope" in automation lane headers.
    • Previously, some radio buttons in certain devices displayed unreadable text.
    • On Windows with a HiDPI screen and HiDPI Mode enabled, it is once again possible ableton 10.1.5 Archives drag a file from Live into Explorer.
    • On Windows, ableton 10.1.5 Archives, dropping files from Addictive Drums 2 into Live works again.
    • When renaming Arrangement clips, the wrong mouse cursor would be displayed, ableton 10.1.5 Archives, making it difficult to insert the cursor at the desired position.
    • The grayed out text  "Open Groove Pool." in a clip's Groove Pool dropdown menu is now more visible in the Dark theme.
    • On Windows, if a plug-in showed a modal dialog, the main window could not be closed while that dialog was being shown.
    • When running Windows on a computer with a 4K screen and HiDPI Mode enabled, Live's UI would temporarily stop updating if the mouse hovered over an instance of the Spectrum device's breakout view.
    • On Windows 10 (version 1803) with HiDPI enabled, ableton 10.1.5 Archives, drag and drop now works as expected between Live, plug-ins and Max and the Explorer.
    • Horizontal sliders are now black instead of white in the Dark Theme (this is particularly noticeable for plug-in device parameters in the Detail View).

    Max for Live

    • Added the following changes to Max for Live:
      • File copying is now faster (this affects building standalones and Max For Live devices).
      • Restored Hints functionality.
      • live.gain~: height no longer changes when changing font.
      • Live could crash when deleting a Max for Live device which had a fullscreen window.
      • Live's main window can no longer obscure all other windows when using Max for Live devices.
      • Previously, Live might fail to access MIDI ports if the Max editor was open in the background at program launch.
      • The Max patcher window is now correctly sized on Windows.
      • Text in message boxes would sometimes appear cut off.
      • Various nodesnames attribute improvements.
      • Fixed issues with adding new objects to presentation mode.
      • poly~: fixed a crash which might occur when muting messages in nested poly~ patchers.
      • Seq object now properly records MIDI.
      • umenu and live.menu would block the Max scheduler while the drop-down list was displayed.
      • Firewall permissions dialog is appropriately suppressed in the Max for Live editor.
      • HiDPI: improved drawing when changing Windows display settings.
      • JS: sketch methods are no longer called on non-UI js objects in js_calljsfun().
      • Max Authorization Window: improved wording and user options.
      • mgraphics: deletion of temp file is now ensured when reading an .svg from a Max for Live device.
    • Performing an Undo after Macro-mapping a Max parameter would leave that parameter unmapped and unusable.
    • Live would crash when dragging a Live device on top of a Max ableton 10.1.5 Archives Live device.
    • Mapping Device Rack Macros ableton 10.1.5 Archives a live.remote would break under certain conditions after reloading the Set.

    MIDI editor

    • When folding ableton 10.1.5 Archives empty MIDI clip in a Drum Rack that contained at least one chain receiving all notes, the clip would fold to that chain only, whereas now the clip will not fold at all. Also, when switching ableton 10.1.5 Archives audio clips while a warp marker was selected, the Seg. BPM box would erroneously show the tempo of the previously selected marker. This would also lead to jumps in the displayed waveform visualization when the tempo was adjusted.
    • The Note Ruler in the MIDI Editor can now be double-clicked to vertically zoom to all used key tracks. In a multi-clip editing scenario, notes of all clips are taken into account, whereas previously only the notes of the foreground clip were considered. Additionally, fixed a bug which prevented the vertical zoom state from initializing correctly under certain circumstances.
    • Fixed a few minor bugs in the MIDI Editor:
      • when selecting one out of many selected notes, the selection would not revert to the selected note
      • when opening the context menu while hovering over a background note, and then clicking outside of the context menu, the background note would remain in a hovered state
      • when hovering over a background note, it was possible to highlight a momentarily invisible foreground note

    Multi Clip Editing

    • Previously, the adaptive grid size of a newly created clip could sometimes be incorrectly calculated when multi-clip editing.

    Navigation

    • Tracks in the Arrangement View would scroll out of view completely when toggling Automation Mode if the highlighted track was not visible.
    • When resizing an Ableton 10.1.5 Archives track, ableton 10.1.5 Archives, only tracks whose header is selected will be resized. Previously, a track might be erroneously resized if a content selection existed on that track.
    • When scrolling up and down in the Arrangement View using a mousewheel, the view would only move in very small increments.
    • Previously, when extracting a Drum Rack chain to a new track, the zoom level and time selection were erroneously applied to the newly created clip.
    • When undoing the deletion of a note while in Arrangement Ableton 10.1.5 Archives, the Clip View zoom level unexpectedly zoomed in to that note.
    • Previously, scrolling the Arrangement's mixer section with a mousewheel was not possible.
    • Previously, the time selection status display would not get updated when selecting a clip in the Arrangement.
    • The grid modifier would not toggle the grid when changing the time selection or moving the insert marker with the arrow keys.
    • Dragging a device over a Session return track header that overlapped a group device chain header would cause erratic scrolling in Session View.
    • On macOS, grid snapping would erroneously toggle when setting the Arrangement loop start/stop marker position by clicking inside the Arrangement View scrub area while holding the [CMD] modifier.

    Nested Groups

    • Fixed a crash that ableton 10.1.5 Archives when duplicating a nested Group Track containing a plug-in with an active modal dialog while Live's second window was open.

    New Devices and Device Improvements

    • The Arpeggiator device could lead to crashes under certain circumstances.
    • AU plug-in parameters might behave erratically when being controlled with the mouse, under certain circumstances.
    • It was erroneously possible to tweak parameters in the expanded view of certain devices, even if the track was frozen.
    • Under certain circumstances, some Wavetable and Echo parameters would not respond smoothly.
    • Simpler's settings would not be recalled correctly, if the device was set to Slice by Beat and its playback was not warped.
    • Echo's timing would change when exporting audio at a different sample rate than the one currently in use.
    • Under certain circumstances, Wavetable's polyphonic voice stealing would cause certain notes to get stuck.
    • A crash might occur when trying to preview a Live Clip in Live's browser, if this referenced a Wavetable device.
    • The switches on the left side of the Glue Compressor device are now centered.
    • Certain parameter names would be truncated in the left column of Wavetable's Modulation Matrix.
    • Dropping many samples onto a Simpler or a Drum Rack would take much longer in Live 10 than it did in Live 9.
    • Live could crash when loading certain Wavetable presets from the Core Library.

    Setup

    • Fixed a bug which caused a "Preferences.cfg corrupt" error when importing Preferences from 32-bit Live versions.
    • Fixed a crash which occurred on startup under certain circumstances.
    • Added info texts translations for Drum Buss, Echo, Pedal and Wavetable devices.
    • On certain Windows machines, attempting to authorize Live 10 would fail.
    • While running, Live would fail to update the availability of MIDI ports.
    • Live was not able to prevent entering Sleep mode or turning off the display on Windows.
    • Changing the MTC Start Offset in the Preferences would have no effect.

    Wavetable

    Changes for Push:

    Push

    • Improved ableton 10.1.5 Archives display of Live's color palette on third-party control surfaces.
    • Updated Push 2's firmware to version 1.0.63. This version contains the updated color palette for Live 10.

    Push Device Visualization

    • Added bank definitions to Pedal, Drum Buss, and Echo for third-party control surfaces.
    • Envelope visualizations are now available for Wavetable on Push 2.
    • It is now possible to select wavetables in the Wavetable device on Push 1.

    Push bugfixes:

    Push

    • The clip color palette for Push 1 was updated to match the Live 10 color palette.
    • The Push 1 browser would not display entries correctly if Live's language was set to Japanese.
    • Improved the touch-strip latency when working with MIDI tracks in Clip Mode on Push 2.
    • Fixed parameter sensitivities for Analog and Impulse devices on Push 2.

    Push Device Visualization

    • Wavetable's filter visualization on Push 2 might be displayed incorrectly after the Control Surface script was reinitialized.
    • A device's color would not update correctly on Push 2 when moving the device to a new track.
    • Push 2's display failed to indicate that an automation existed for certain Wavetable filter parameters.
    • The On/Off icon was missing for the Pitch envelope in the Operator device on Push 2.
    • Fixed envelope slope visualizations in Wavetable on Push 2.
    • Added missing parameters and icons for Operator and Analog's parameter banks on Push 2.
    • Fixed a scenario where Push 2's ableton 10.1.5 Archives could crash when hot-swapping AU plug-in presets.

    Push MIDI Clip Mode

    • After redoing a clip recording on Push 2, the wrong zoom state would be displayed.
    • The Note Settings view would close after touching an encoder, if all notes were being edited (Push 1 and Push 2).
Источник: [https://torrent-igruha.org/3551-portal.html]
Ableton". www.ableton.com. Retrieved 2021-02-04.
  • ^"The Covert Operators - Ableton Live Packs". Archived from the original on 2011-08-07. Retrieved 2011-08-05.
  • ^"Puremagnetik". Archived from the original on 16 December 2008. Retrieved 2008-12-17.
  • ^"Hands-on with Ableton Live 9: Audio to MIDI". MusicRadar. Archived from the original on 2016-03-03. Retrieved 2016-02-23.
  • ^Tusa, Scott. "Getting Started with Ableton Live". O'Reilly Digital Media. Archived from the original on 2009-04-09. Retrieved 2009-04-19.
  • External links[edit]

    Источник: [https://torrent-igruha.org/3551-portal.html]

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